The Bodyworlds exhibition, 'Body Worlds & The Mirror of Time' was both incredible to witness and photograph. The man behind it, Gunther von Hagens, is no stranger controversy but I discovered his newest and greatest exhibit, which shows the body living via time at its most radiant and as it
modifications, grows, matures, peaks and lastly wanes - compelling and completely various to anything I've observed prior to. To believe these are actual bodies takes some obtaining utilized to as they look much more like wax works, but the show as a entire shows a lot - not just about how our bodies function and age, but also about life in general.
Later that evening I had a busy schedule as firstly I clambered up in blustery and rainy conditions to the roof the National Gallery on Leicester Square to photograph an outdoor screening as component of the BFI London Film Festival.
I was taken up to the roof by security man who'd come out of retirement to continue his 20-year career at the National Gallery. He was a actual gentleman, but it took him an age to get me into position on the roof via a host of factors (lift not working, picking up the wrong keys, rambling conversations), by which time I was already late for my next job of photographing The Streets at the Roundhouse. I'd have begun to lose my temper if he hadn't been so a type, aimable guy. I rapidly got the shots from the roof of the outdoor crowd braving the rain to watch 'High Treason' on the massive screen prior to rushing back down to get much more shots from ground level.
I created it with absolutley no time to spare to The Streets headlining the second night of the Electric Proms, so barely had time to set up my camera prior to Mike Skinner and his boys hit the stage. I still got some great outcomes. Occasionally I believe it's an benefit to have to begin shooting with no preparation or thought about how you're going to photograph a topic. You just react to the scenario and shoot from instinct.






